| 5th Quality Standard | ||||
| Highest Quality Polyphonic (polytonal & polyrhythmical) Performance |
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| | The Musical Performers and Their Laws | |||
| | The Motif | |||
| | The Masculine and the Feminine Musical Motif | |||
| | Training the Free Formative Will | |||
| | Motif Recognition | |||
| | Motif-Technique | |||
| | Power and Powerlessness of Musical Interpretation |
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| | Scenes from the Inner World of Human Evolution | |||
| | Integration of Levels of Creativity | |||
| | The Differentiated Apprehension of the Power of the Harmony |
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| | The Perfection of the Formative Forces in Music | |||
| | The Melody | |||
| | The Manifold Shape of the Melody | |||
| | The Path of the Human Character in the Musical Form |
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| | The Sequence in Music | |||
| | The Gate of Harmony to the Outer Music | |||
| With kind permission of AAR EDITION INTERNATIONAL © 1998 - MICRO MUSIC LABORATORIES |
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