Micro Music Laboratories – Quality Standards
Micro Music Laboratories – Quality Standards


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5th Quality Standard

THE FORCE-FIELDS
IN MUSIC

The Musical Performers
and Their Laws

The Motif

The Masculine and the Feminine Musical Motif

Training the Free
Formative Will

Motif-Recognition

Motif-Technique

Power and
Powerlessness of
Musical Interpretation

Scenes from the
Inner World
of Human Evolution

Integration of Levels
of Creativity

The Differentiated
Apprehension of the
Power of the Harmony

The Perfection of the
Formative Forces in Music

The Melody

The Manifold Shape
of the Melody

The Path of the Human Character in the
Musical Form

The Sequence in Music

The Gate of Harmony
to the Outer Music

 

 






THE PROCESS OF CREATING MUSIC
The Practical Fundamentals of Universal Creativity
         
 
The Differentiated Apprehension
of the Power of Harmony


   
 
Basically, it is the harmony which directly reveals itself in the tone, in the motif and in the sequence. But the differentiated apprehension of this direct power expresses itself in the systems of the overtone-mechanics, the motif-technique, the sequence-technique, and the harmony-technique.

 
The Systems of the Overtone-Mechanics, the Motiv-Technique, the Sequence-Technique, and the Harmony-Technique
 
 
Deeper and deeper insight into more comprehensive musical orders gives the musician, as well as the listener, ever more fulfilling knowledge, and thus transforms the music listener into a music lover.

   
 
Thus, the various “horizontal” systems of musical order appear merely as outer expressions of the secret “vertical” sovereignty of the harmony.

 
The Inner-Human Path of Realization
 
 
On the other hand, from this “vertical” viewpoint the understanding arises that

 
The Dual Musical Structure of Order
 
 
    from a state of greater subtlety the world of lesser subtlety is governed, and that

    from the subjective world the objective world is governed.
Thus, from a superior order
    the world of the sound-space is ruled by the world of the motif,

    the world of the motif is ruled by the world of the sequence,

    and the world of the sequence is ruled by the harmony.

 
Mastership of the Musical Creator over the Created Composition
 
 
From the state of greater subtlety, the motif permeates the musical sound-spaces from within:
    the motif creates them, fills them with life, sustains them, destroys them.
From the state of even greater subtlety, the sequence permeates the motif-spaces from within:
    the sequence creates them, fills them with life, sustains them, destroys them - and with them the sound-spaces.
From the state of greatest subtlety, the harmony permeates the sequence-spaces from within:
    the harmony creates them, fills them with life, sustains them, destroys them - and with them the motif-spaces, and with these again, the sound-spaces.

 
Power Relations in the Musical Force Fields
 
 
These are the two fundamental angles under which to consider the inner musical order:
The horizontal angle, mentioned earlier, takes the outer size of the respective systems as the criterion to gain knowledge; the vertical angle takes the degree of musical subtlety as the criterion to gain knowledge.

 
Criteria for the Complexity and the Degree of Subtlety
 
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
  With kind permission of AAR EDITION INTERNATIONAL
© 1998 -  MICRO MUSIC LABORATORIES
           
     
.